English Novel

Barnacle Love, Paperback, By Anthony De Sa

Shortlisted for the 2008 Scotiabank Giller Prize

Like Wayson Choy and David Bezmozgis before him, Anthony De Sa captures, in stories brimming with life, the innocent dreams and bitter disappointments of the immigrant experience.

At the heart of this collection of intimately linked stories is the relationship between a father and his son. A young fisherman washes up nearly dead on the shores of Newfoundland. It is Manuel Rebelo who has tried to escape the suffocating smallness of his Portuguese village and the crushing weight of his mother’s expectations to build a future for himself in a terra nova. Manuel struggles to shed the traditions of a village frozen in time and to silence the brutal voice of Maria Theresa da Conceicao Rebelo, but embracing the promise of his adopted land is not as simple as he had hoped.

Manuel’s son, Antonio, is born into Toronto’s little Portugal, a world of colourful houses and labyrinthine back alleys. In the Rebelo home the Church looms large, men and women inhabit sharply divided space, pigs are slaughtered in the garage, and a family lives in the shadow cast by a father’s failures. Most days Antonio and his friends take to their bikes, pushing the boundaries of their neighbourhood street by street, but when they finally break through to the city beyond they confront dangers of a new sort.

A lyrical journey through the landscapes of love, exile, and justice

Bridges Beyond Silence is a poetic trilogy that unfolds in three arcs — From Indifference to Love, Release into Grace, and Justice Transfigured — traversing the intimate and the universal as it traces a path from the quiet ache of belonging to the luminous possibility of compassion.

Drawing on his life between the Azores and Canada, between public service and inner reflection, Dr. Mario Silva writes with the clarity of one who has witnessed both the fractures and the resilience of the human spirit. His verses explore how love survives migration, how memory shapes identity, and how justice transforms when grounded in empathy.

At once personal and political, Bridges Beyond Silence invites readers to listen — to the silences between words, to the echoes of history, and to the enduring call of hope that unites us across time and place.

Dr. Mario Silva, PhD (Law), is an international legal scholar, author, and former Canadian MP. Decorated by France, Portugal, and Brazil for his human rights work, he has served in senior diplomatic and tribunal roles. Bridges Beyond Silence is his poetic debut, reflecting a life devoted to justice and human connection.

Lisbon 1943. As two American librarians are drawn into a city of dangerous subterfuge and unexpected love affairs, they are forced to choose between their missions and the men they love. Brimming with evocative writing and meticulous research, award-winning author Suzanne Nelson spins a web of secret aliases, sweeping romance, and great sacrifice. Inspired by real historical figures, this is the captivating story of two remarkable young women, their bravery and heartache, and a friendship that withstands the ravages of war.

With World War Two raging across Europe, best friends Selene Delmont and Beatrice Sullivan are enlisted by the U.S. Intelligence Office and sent to Lisbon—a sparkling city and hotbed of trouble, harboring exiled royalty, hunted refugees, and spies trading double-edged secrets in seductively dark corners. In official capacity, librarians Selene and Bea have been recruited to catalog the vast mountain of information gathered by the Allies, but by night, both women are undercover agents tasked with infiltrating the Axis spy network.

Where Selene is confident and brash, Bea is bookish and careful. Selene longs to escape her family’s impossible expectations and embrace her independence, while all Bea wants is to heal from heartbreak and keep impulsive Selene out of trouble. But soon, both librarians are caught up in treacherous games of deception alongside two of Lisbon’s most notorious men—the outcast Portuguese baron, Luca Caldeira, and the lethal double-agent, Gable. As Selene charms her way through lavish ballrooms and fêtes with Luca, Bea is plunged into Gable’s shadowy underworld of informants. Victory depends upon the joint success of their missions, but when an unexpected betrayal throws a carefully spun web of lies into chaos, everything they’ve sacrificed is put at risk. As Selene and Bea are pushed to their breaking points can their friendship, and their hearts, survive the cost of war?

From the winner of the prestigious FIL Prize in Romance Languages comes this masterpiece saga, set in the twilight of the late twentieth century, of two clashing families in coastal Portugal.

With the grand sweep of Elena Ferrante’s Neapolitan novels, this enduring tale transports us to a picturesque seaside town haunted by its colonial past.

Considered one of Europe’s most influential contemporary writers, Portuguese novelist Lídia Jorge has captivated international audiences for decades. With the publication of The Wind Whistling in the Cranes, English-speaking readers can now experience the thrum of her signature poetic style and her delicately braided multicharacter plotlines, and witness the heroic journey of one of the most maddening, and endearing, characters in literary fiction.

Exquisitely translated by Margaret Jull Costa and Annie McDermott, this breathtaking saga, set in the now-distant 1990s, tells the story of the landlords and tenants of a derelict canning factory in southern Portugal. The wealthy, always-scheming Leandros have owned the building since before the Carnation Revolution, a peaceful coup that toppled a four-decade-long dictatorship and led to Portugal’s withdrawal from its African colonies. It was Leandro matriarch Dona Regina who handed the keys to the Matas, the bustling family from Cape Verde who saw past the dusty machinery and converted the space into a warm—and welcoming—home.

When Dona Regina is found dead outside the factory on a holiday weekend, her body covered in black ants, her granddaughter, Milene, investigates. Aware that her aunts and uncles, who are off on vacation, will berate her inability to articulate what has just happened, she approaches the factory riddled with anxiety. Hours later, the Matas return home to find this strange girl hiding behind their clotheslines, and with caution, they take her in . . .

“Some said that Milene had been found wandering near the golf course. . . . Still others that she must have spent those five days at the beach, eating raw fish and sleeping out in the open . . .”

Days later, the Leandros realize that Milene has become hopelessly entangled with their tenants, and their fear of political and financial ruin sets off a series of events that threatens to uproot the lives of everyone involved. Narrated with passionate, incandescent prose, The Wind Whistling in the Cranesestablishes Lídia Jorge as a novelist of extraordinary international resonance.

World—Ana Luísa Amaral’s second collection with New Directions—offers a new exhilarating set of poems that convey wonder, bemusement, and an ever-deepening appreciation of life. Weaving the thread that connects the poem to life, World speaks of our immense human perplexity in the face of everything around us and our oneness with it all. As Amaral notes, all of us, “humans and non-humans, are on the same ontological level, the differences being only a matter of perspective. We are all made of the same stuff as dreams—and stars.” Asked about her thoughts on World, Amaral’s peerless translator Margaret Jull Costa replied: “What I take from this collection of poems is a sense of joy in the ordinary—seeing an ant going about its business, or a bee or a fish, or the feeling of sharing a whole history with a particular table, or watching a very ordinary woman sitting on a train playing with the handle of her handbag. World also brings us meditations on colonization, slavery, and whaling. Like the world, it is full of surprises and full of joy and sadness.” These vibrant, exultant poems invite you to share this marvelous world: Yes, all you need (how easy!) is to say yes.

By the International Booker Prize Shortlisted Author of On Earth As It Is Beneath

Animals go mad and men die (accidentally and not) at a slaughterhouse in an impoverished, isolated corner of Brazil.In a landscape worthy of Cormac McCarthy, the river runs septic with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over again, as the stun operator at Senhor Milo’s slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It’s important to calm the cows, especially now that they seem so unsettled: they have begun to run in panic into walls and over cliffs. Bronco Gil, the foreman, thinks it’s a jaguar or a wild boar. Edgar Wilson has other suspicions. But what is certain is that there is something in this desolate corner of Brazil driving men, and animals, to murder and madness. 

About the Author

• reviews

the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro.

Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism.” Borba leaves his fortune—including his dog, also named Quincas Borba—to Rubião, his loyal caretaker and a schoolteacher by trade. Bestowed with opulence beyond his wildest dreams, Rubião is quickly coaxed into the comforts of a rich man’s life—the only stipulation being that he continues to care for the canine Quincas Borba with the same dedication he once did the human. Adrift in the big, bad, bustling world of late-1860s Rio de Janeiro, it isn’t long before Rubião is targeted by the city’s sycophants, who can smell his naïveté from a mile away.

Playfully told by an omniscient and possibly unreliable narrator, the novel is at once irreverent and ambitious, brimming with barbed wit and keen philosophical inquiry. Brilliantly translated by Margaret Jull Costa and Robin Patterson—the duo credited with introducing a new generation of readers to Machado through their translations of Dom Casmurro, The Collected Stories, and Posthumous Memoirs of Bras Cubas—Quincas Borba is another strikingly modern tale from a blazing progenitor of twentieth-century fiction.

Stormy Isles, originally published in Portuguese in 1944 and set in the Azores between 1917 and 1919, focuses on the vivacious and sharp Margarida, who, at twenty years of age, is a model of feminist aspirations and the paragon of her generation. A member of the elite, she foregoes some of the entitlements of her class and struggles with the morals of the bourgeois society in which her life unfolds. Narrated in realist and poetic language as a series of interconnected tales within a larger story, this completely revised translation of Stormy Isles provides a rich, vivid portrait of the Azores in the early twentieth century.

The Turner of Silences written by Mia Couto translated by David Brookshaw. 

Mwanito Vitalcio was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears. Mwanito's been living in a big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He's been told that rest of the world is dead, that all roads are sad, that they wait for an apology from God. In the place his father calls Jezoosalem, Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden.

The 8th novel by NY Times-acclaimed Mia Couto, The Tuner of Silences is the story of Mwanito's struggle to reconstruct a family history that his father is unable to discuss. With the young woman's arrival in Jezoosalem, however, the silence of the past quickly breaks down, and both his father's story and the world are heard once more. The Tuner of Silences was heralded as one of the most important books to be published in France in 2011, and remains a shocking portrait of the intergenerational legacies of war. Available for the first time in English.

Author

Mia Couto was born in 1955 in Mozambique and is the most prominent writer in Portuguese-speaking Africa. He has been active as a journalist and during the revolutionary struggle headed the AIM news agency. He now lives in Maputo where he works as an environmental biologist and runs the Mozambique part of the Kruger National Park.

Translator

David Brookshaw is a professor of Hispanic, Portuguese, and Latin American Studies at the University of Bristol (London), and the General Editor of the HiPLA Monograph Series. He is the translator of six books by Couto, including Sleepwalking Land and The Last Flight of the Flamingo.

Language English 

length 224 pages

ISBN: 9781926845951

Written by Antonio Lobo Antunes, Translated to English by Margaret Jull Costa

A profound and genre-defying work of literature about love, death, and illness from one of Portugal’s most celebrated writers
 
“One of the essential writers of our tormented times.”—Alberto Manguel, Times Literary Supplement
 
“Little prepares one for this extraordinary book, in which each chapter, covering a single day, and lasting a single sentence, offers a teeming stream of consciousness. . . . Even pain is alive, and alive is the word for this book, alive and enduring.”— Michael Autrey, Booklist
 
Incapacitated after the removal of a malignant tumor, the narrator, António, spends his days in a Lisbon hospital enduring the humiliations of severe illness. As he drifts in and out of consciousness, he revisits fragments of his life and the people who passed through it. He recalls the village where he lived as a child near the Mondego River amid the eucalyptus and pines, his parents and grandparents and their tight-knit community of potato farmers and tungsten miners, and the woman he loved—an unexpected polyphony of voices and places sounding in sharp counterpoint to debilitating pain.
 
By the Rivers of Babylon conjures the past and the present all at once, revealing the power of memory to embolden us in the face of extraordinary suffering. This is António Lobo Antunes’s homage to the beauty of a cherished life in its confrontation with imminent death.

Abour Author

António Lobo Antunes (1942–2026), born in Lisbon and trained as a psychiatrist, is the prizewinning author of more than thirty books, including Fado Alexandrino, The Inquisitors’ Manual, The Splendor of Portugal, and What Can I Do When Everything's on Fire? Margaret Jull Costa has been a literary translator for over thirty years.

Language: English

Length: 248 pgs

Written by Paulo Coelho, Translated by Margaret Jull Costa.

“One of Coelho’s strongest.”—Kirkus Reviews

“The book casts a curiously sweet spell.”—Entertainment Weekly

From the author of beloved international bestseller The Alchemist, a daring novel that explores the sacred nature of sex and love and invites us to confront our own prejudices and demons.

Eleven Minutes tells the story of Maria, a young girl from a Brazilian village whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer.” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune, yet ends up working as a prostitute.

In Geneva, Maria’s despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria must choose between pursuing a path of darkness—sexual pleasure for its own sake—or risking everything to find her own inner light and the possibility of true love.

“Sensual . . . [An] adults-only fairly tale.”—Washington Post

“[This] Brazilian wizard makes books disappear from stores.”—The New York Times

About Author

Paulo Coelho is the author of "The Alchemist", he was born in 1947 in the city of Rio de Janeiro, Brazil. Being the author of 30 books that have sold over 320 million copies in 170 countries, he has become one of the most widely read authors in the world today. Paulo Coelho has been a United Nations Messenger of Peace since 2007 and this has allowed him to continue to promote intercultural dialogue and to focus on the needs of children. He is a member of the Brazilian Academy of Letters and the recipient of over 115 awards and honours, including the Hans Christian Andersen Award, the Grinzane Cavour Book Award and the Chevalier de l’Ordre National de la Légion d’Honneur, to name a few.

Set in Lisbon at the close of the nineteenth century, ‘The Maias’ is both a coming-of-age novel and a passionate romance. Our hero Carlos Maia, heir to one of the greatest fortunes in Portugal, is rich, handsome, generous and intelligent: he means to do something for his country, something useful, something that will make his beloved grandfather proud. However, Carlos is also a bit of a dilettante. He drifts along, becoming a doctor and pottering about in his laboratory, but spends more and more time riding his splendid horses or visiting the theater, having affairs or reading novels. His best friend and chief partner in crime, Ega, is likewise engaged in a long summertime of witticisms and pleasure. Carlos however is set on a dead reckoning course with fate?with the love of his life and with a terrible, terrible secret...Newly translated by the acclaimed translator Margaret Jull Costa (translator of José Saramago's ‘Blindness’), New Directions is proud to bring Eça de Queirós' brilliant prose to life for American readers for the first time.

About the Author

Eça de Queiroz was born on November 25, 1845, in Póvoa de Varzim and is considered one of the greatest novelists in all of Portuguese literature, the first and main Portuguese realist writer, a profound and insightful author of literary prose.
He entered the Law Course in 1861, in Coimbra, where he associated with many of the future representatives of the Generation of 70. After finishing his studies, he founded the newspaper , in 1866, an organ in which he began his journalistic experience. In 1871, he gave the lecture "Realism as a new expression of Art", integrated into the Lisbon Casino Conferences and a product of the aesthetic evolution that led him towards the Realism-Naturalism of Flaubert and Zola. In the same year, he began, with Ramalho Ortigão, the publication of As Farpas, satirical chronicles of inquiry into Portuguese life.

In 1872 he began his diplomatic career, during which he held the position of consul in Havana, Newcastle, Bristol, and Paris. It was, therefore, with the critical distance afforded by his experience living abroad that he conceived most of his novels, dedicated to the critique of Portuguese social life, among which stand out *O Primo Bazilio*, *O Crime do Padre Amaro*, *A Relíquia*, and *Os Maias*, the latter considered his masterpiece. He died on August 16, 1900, in Paris.

This collection of twenty-six stories is “a fine introduction to Latin American literature” ( The Washington Post Book World ).

This splendid collection of stories by twenty-six Latin American authors features the new voices and celebrated masters of one of the world's foremost literatures. Explore the gothic sexual ambiguities of Carlos Fuentes’ “The Doll Queen,” the psychological compression of Clarice Lispector’s “Love,” or the baroque pyrotechnics of Machado de Assis and Adolfo Bioy Casares. Discover the parodically hard-boiled detective fiction of Ana Lydia Vega and some decidedly soft-boiled criminals in Rubem Fonesca’s “Lonelyhearts.”

From erotic comedies by Isabel Allende and Jorge Amado to the playful labyrinths of Guillermo Cabrera Infante’s London streets or Armonia Somers’ roomful of clocks, A Hammock Beneath the Mangoes reveals the virtuosity of Latin American literature at its finest, and provides an illuminating journey into dreamlike and unexpected worlds.

The Illustrious House of Ramires, presented here in a sparkling new translation by Margaret Jull Costa, is the favorite novel of many Eça de Queirós aficionados. This late masterpiece, wickedly funny and yet profoundly tender, centers on Gonçalo Ramires, heir to a family so aristocratic that it predates even the kings of Portugal. Gonçalo—charming but disastrously effete, idealistic but hopelessly weak—muddles through his pampered life, burdened by a grand ambition. He is determined to write a great historical novel based on the heroic deeds of his fierce medieval ancestors.  But “the record of their valor,” as The London Spectator remarked, “is ironically counterpointed by his own chicanery. A combination of Don Quixote and Walter Mitty, Ramires is continually humiliated but at the same time kindhearted. Ironic comedy is the keynote of the novel. Eça de Queirós has justly been compared with Flaubert and Stendhal."

The things I’ve learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don’t know. Or maybe they do even when they don’t. There are various ways of knowing by not-knowing. I know: it happens to me too.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writer—at once off the cuff and spot on.

• Language: English
• No. of Pages: 864
• Publisher: New Directions Publishing
• ISBN: 9780811226790

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called "astounding" (Rachel Kushner), "a penetrating genius" (Donna Seaman, Booklist ), and "one of the twentieth century's most mysterious writers" (Orhan Pamuk). Margaret Jull Costa andRobin Patterson have translated the work of Lúcio Cardoso, Sophia de Mello Breyner Andresen, and Clarice Lispector, among others. They live in England.