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Visit product page →A well-written, deeply personal saga that acknowledges the resonance of historical identity, art, and literature in our present lives." --KIRKUS REVIEWS
1570: A street teems with activity in Renaissance Lisbon: boatmen unload passengers as jugglers entertain the crowd and vendors hawk their goods. The crowd is large, and more than half of it is Black. Most are enslaved African people performing an array of duties, but there are free Africans too, and somebody else: a Black knight astride a horse.
Four hundred and fifty years later, novelist and journalist Joaquim Arena stands in a museum, transfixed by the character depicted on this canvas by an anonymous Flemish painter. He doesn't know it yet, but the knight is Joao de S Panasco, a one-time slave who nevertheless became an Afro-Portuguese nobleman. So begins Under Our Skin, a wide-ranging investigation that seeks to know the people of the early African diaspora, and tell their stories.
Arena was born in the tiny state of Cape Verde, a small chain of islands off the West Coast of Africa which were uninhabited before Portugal chose them for a slave-trade post--a place made famous in part by Herman Melville's essay on the nature of Cape Verdeans (known as 'Gees') who were common fixtures on whaling vessels.
With this awareness, Arena creates a hybrid text of travel writing, memoir, and history, filled with portraits of complex and fascinating characters. There is Dido Elizabeth Belle, the daughter of a slave raised a gentlewoman in England; Abraham Petrovitch Gannibal, abducted from Africa as a boy, only to be groomed as a nobleman under Peter the Great; Thomas-Alexandre Dumas, son of a Haitian slave, who became a French general in the Napoleonic Wars; Jacobus Capitein, from Ghana, who studies at a European university only to become a pro-slavery Christian minister in the Netherlands; and Carlos Marcelino -
Visit product page →The things I’ve learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don’t know. Or maybe they do even when they don’t. There are various ways of knowing by not-knowing. I know: it happens to me too.
The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writer—at once off the cuff and spot on.
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Visit product page →An unsettling novel that sets us among an isolated group of men whose bonds break down in ways both hard to comprehend and impossible to look away from
On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down.
But in the prison’s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls.
Ana Paula Maia delivers a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witnesses.
On Earth As It Is Beneath was shortlisted for the International Booker Prize 2026.
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Visit product page →By the International Booker Prize Shortlisted Author of On Earth As It Is Beneath
Animals go mad and men die (accidentally and not) at a slaughterhouse in an impoverished, isolated corner of Brazil.In a landscape worthy of Cormac McCarthy, the river runs septic with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over again, as the stun operator at Senhor Milo’s slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It’s important to calm the cows, especially now that they seem so unsettled: they have begun to run in panic into walls and over cliffs. Bronco Gil, the foreman, thinks it’s a jaguar or a wild boar. Edgar Wilson has other suspicions. But what is certain is that there is something in this desolate corner of Brazil driving men, and animals, to murder and madness.
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Visit product page →Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”
Published in 1968, An Apprenticeship is Clarice Lispector’s attempt to reinvent herself following the exhausting effort of her metaphysical masterpiece The Passion According to G. H. Here, in this unconventional love story, she explores the ways in which people try to bridge the gaps between them, and the result, unusual in her work, surprised many readers and became a bestseller.
Some appreciated its accessibility; others denounced it as sexist or superficial. To both admirers and critics, the olympian Clarice gave a typically elliptical answer: “I humanized myself,” she said. “The book reflects that.”
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Visit product page →Life under Brazil’s brutal “cordial racism” comes painfully alive in this novel of fathers and sons.
How do you become the protagonist of your own life? For Pedro, it means searching for himself in the objects his father left behind: the layers that make up his life, and that of his parents, and the circumstances, geographies, and wounds that shaped them all. It’s an archaeology of affections, but also of life in southern Brazil, where being black on the streets of Porto Alegre manifests violences large and small. Where being a young woman, raised by a single mother, may find you seeking security in the untrustworthy arms of men.
In Dark Side of Skin , Jeferson Tenório takes on fathers and sons, Shakespeare and Cervantes, and the inescapable bonds and burdens of family and history in one delicately rendered, painfully precise account of loved ones lost and found.
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Visit product page →World—Ana Luísa Amaral’s second collection with New Directions—offers a new exhilarating set of poems that convey wonder, bemusement, and an ever-deepening appreciation of life. Weaving the thread that connects the poem to life, World speaks of our immense human perplexity in the face of everything around us and our oneness with it all. As Amaral notes, all of us, “humans and non-humans, are on the same ontological level, the differences being only a matter of perspective. We are all made of the same stuff as dreams—and stars.” Asked about her thoughts on World, Amaral’s peerless translator Margaret Jull Costa replied: “What I take from this collection of poems is a sense of joy in the ordinary—seeing an ant going about its business, or a bee or a fish, or the feeling of sharing a whole history with a particular table, or watching a very ordinary woman sitting on a train playing with the handle of her handbag. World also brings us meditations on colonization, slavery, and whaling. Like the world, it is full of surprises and full of joy and sadness.” These vibrant, exultant poems invite you to share this marvelous world: Yes, all you need (how easy!) is to say yes.
Language English Print length 144 pages ISBN-10 0811234835 ISBN-13 978-0811234832 -
Visit product page →Gonçalo M. Tavares9781628975987 | Paperback Book. April 18, 2025 | 240 pages
Gonçalo M. Tavares was born in Luanda in 1970 and teaches Theory of Science in Lisbon. His work has already received an impressive amount of literary awards, among them the Prix Littéraire Européen, the Prix du Meilleur Livre Étranger 2010, which has so far been given to authors like Salman Rushdie, John Updike, and Philip Roth. Other awards inculde the Saramago Prize, the Prêmio Portugal Telecom de Literatura em Língua Portuguesa, the SPA Author's Prize, the Prêmio Melhor Narrativa Ficcional da SociedadePortuguesa de Autores and the Prémio Literário Fundação Inês de Castro.
Winner of the 2026 Formentor Prize for Literature
Amid a landscape of rubble, skeletal figures, and helplessness in Europe post-World War II, a girl and a man wander among the ruins.
Hanna, a 12-year-old girl with Down's Syndrome, is looking for her father. Marius, her companion, seems to be hiding from something. Aided by a simple instruction card, Hanna explores what it is to be human, as Tavares creates an abstract yet touching portrait of the true victims of war. -
Visit product page →A genre-bending and thought-provoking examination of capitalism and cancer - and recent Brazilian history - based on the author's interviews with his truck driver father.
In What Is Mine, sociologist José Henrique Bortoluci uses interviews with his father, Didi, to retrace the recent history of Brazil and of his family. From the mid-1960s to the mid-2010s, Didi's work as a truck driver took him away from home for long stretches at a time as he crisscrossed the country and participated in huge infrastructure projects including the Trans-Amazonian Highway, a scheme spearheaded by the military dictatorship of the time, undertaken through brutal deforestation.
An observer of history, Didi also recounts the toll his work has taken on his health, from a heart attack in middle age to the cancer that defines his retirement. Bortoluci weaves the history of a nation with that of a man, uncovering parallels between cancer and capitalism - both sustained by expansion, both embodiments of the gospel of growth at any cost' - and tracing the distance that class has placed between him and his father. Influenced byauthors such as Annie Ernaux and Svetlana Alexievich, is a moving, thought-provoking and brilliantly constructed examination of the scars we carry, as people and as countries.José Henrique Bortoluci was born in Jaú in 1984. He has a BA in International Relations and an MA in Social History from the University of São Paulo, as well as an MA and a PhD in Sociology from the University of Michigan, where he lectured and was a Fulbright fellow. He is a professor of Sociology at the Fundação Getúlio Vargas in São Paulo, where his lectures and research revolve around Brazilian politics, social theory, democracy and social movements. Rahul Bery is based in Cardiff, Wales and translates from Spanish and Portuguese to English. His published translations include novels by Vicente Luis Mora, Afonso Cruz, Simone Campos and David Trueba.
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Visit product page →SYNOPSIS: Never-before-seen behind-the-scenes images; Hundreds of photographs from the band's archives; The story and stories told by the musicians themselves; Year by year, a complete chronology of Xutos & Pontapés;
Testimonials and statements from dozens of public figures.
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Sold outVisit product page →The Hour of the Star, Clarice Lispector’s consummate final novel, may well be her masterpiece.
Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life’s unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved.
Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn’t seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader’s preconceived notions about poverty, identity, love, and the art of fiction. In her last book, she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.
Hardcover | 128 pages | 5.40" x 8.40"
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Visit product page →the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro.
Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism.” Borba leaves his fortune—including his dog, also named Quincas Borba—to Rubião, his loyal caretaker and a schoolteacher by trade. Bestowed with opulence beyond his wildest dreams, Rubião is quickly coaxed into the comforts of a rich man’s life—the only stipulation being that he continues to care for the canine Quincas Borba with the same dedication he once did the human. Adrift in the big, bad, bustling world of late-1860s Rio de Janeiro, it isn’t long before Rubião is targeted by the city’s sycophants, who can smell his naïveté from a mile away.
Playfully told by an omniscient and possibly unreliable narrator, the novel is at once irreverent and ambitious, brimming with barbed wit and keen philosophical inquiry. Brilliantly translated by Margaret Jull Costa and Robin Patterson—the duo credited with introducing a new generation of readers to Machado through their translations of Dom Casmurro, The Collected Stories, and Posthumous Memoirs of Bras Cubas—Quincas Borba is another strikingly modern tale from a blazing progenitor of twentieth-century fiction.Language English Print length 352 pages ISBN-10 1324096705 ISBN-13 978-1324096702 -
Visit product page →From the winner of the prestigious FIL Prize in Romance Languages comes this masterpiece saga, set in the twilight of the late twentieth century, of two clashing families in coastal Portugal.
With the grand sweep of Elena Ferrante’s Neapolitan novels, this enduring tale transports us to a picturesque seaside town haunted by its colonial past.
Considered one of Europe’s most influential contemporary writers, Portuguese novelist Lídia Jorge has captivated international audiences for decades. With the publication of The Wind Whistling in the Cranes, English-speaking readers can now experience the thrum of her signature poetic style and her delicately braided multicharacter plotlines, and witness the heroic journey of one of the most maddening, and endearing, characters in literary fiction.
Exquisitely translated by Margaret Jull Costa and Annie McDermott, this breathtaking saga, set in the now-distant 1990s, tells the story of the landlords and tenants of a derelict canning factory in southern Portugal. The wealthy, always-scheming Leandros have owned the building since before the Carnation Revolution, a peaceful coup that toppled a four-decade-long dictatorship and led to Portugal’s withdrawal from its African colonies. It was Leandro matriarch Dona Regina who handed the keys to the Matas, the bustling family from Cape Verde who saw past the dusty machinery and converted the space into a warm—and welcoming—home.
When Dona Regina is found dead outside the factory on a holiday weekend, her body covered in black ants, her granddaughter, Milene, investigates. Aware that her aunts and uncles, who are off on vacation, will berate her inability to articulate what has just happened, she approaches the factory riddled with anxiety. Hours later, the Matas return home to find this strange girl hiding behind their clotheslines, and with caution, they take her in . . .
“Some said that Milene had been found wandering near the golf course. . . . Still others that she must have spent those five days at the beach, eating raw fish and sleeping out in the open . . .”
Days later, the Leandros realize that Milene has become hopelessly entangled with their tenants, and their fear of political and financial ruin sets off a series of events that threatens to uproot the lives of everyone involved. Narrated with passionate, incandescent prose, The Wind Whistling in the Cranesestablishes Lídia Jorge as a novelist of extraordinary international resonance.
Language English Print length 528 pages ISBN-10 1631497596 ISBN-13 978-1631497599 -
Visit product page →The Illustrious House of Ramires, presented here in a sparkling new translation by Margaret Jull Costa, is the favorite novel of many Eça de Queirós aficionados. This late masterpiece, wickedly funny and yet profoundly tender, centers on Gonçalo Ramires, heir to a family so aristocratic that it predates even the kings of Portugal. Gonçalo—charming but disastrously effete, idealistic but hopelessly weak—muddles through his pampered life, burdened by a grand ambition. He is determined to write a great historical novel based on the heroic deeds of his fierce medieval ancestors. But “the record of their valor,” as The London Spectator remarked, “is ironically counterpointed by his own chicanery. A combination of Don Quixote and Walter Mitty, Ramires is continually humiliated but at the same time kindhearted. Ironic comedy is the keynote of the novel. Eça de Queirós has justly been compared with Flaubert and Stendhal."
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Visit product page →Food, as many other events, conveys the identity and culture of a people. Tasting and interacting with food allows our palate to withhold the experience, but our emotions also savour the moment. And History provides the context that lies beneath all of this.
At present, even cuisine has become a competitive branch with a constant need for updates and inventiveness in order to satisfy an increasingly travelled and experienced public, eager for a sample of difference.
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Visit product page →Bilingual book: Portuguese and English
Um livro sobre Portugal heróico, desde a fundação do reino até aos nossos tempos e à história do futuro. Uma magnífica obra enriquecida com textos de Fernando Pessoa, Agostinho da Silva, Dalila Pereira da Costa e Gilbert Durand e aprimoradas artes gráficas. Ilustrada com pinturas e fotografia de personagens, monumentos, natureza viva, paisagens terrestres e marinhas do país atlântico e mediterrânico. Volume patrimonial em luxuosa edição bilingue (português-inglês), destinado a todos os públicos, apresenta Portugal a leitores nacionais e estrangeiros.
Um convite do filósofo português Rodrigo Sobral Cunha para uma grande viagem por terra e mar, com uma obra literária e patrimonial de referência em pensamento, para quem deseje conhecer a arte inventiva da nação mais antiga e universalista da Europa e que abriu a Europa ao mundo, propondo-se fazer um Mundo Novo
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Visit product page →Author: Leighton Gage Language: English
The Awana tribe, who live in the remote Amazon jungle in the Brazilian state of Pará, have dwindled to only 41 members—and now 39 of them have dropped dead of what looks like poison. The neighboring white townsfolk don’t seem to be mourning the genocide much—in fact, the only person who seems to care at all is Jade Calmon, the official tribal relations agent assigned to the area. She wants justice for the two survivors, a father and his 8-year-old son. But racism is deeply entrenched and no one is going to help her get to the truth.
Unfortunately, this is far from the first time the Brazilian federal police have had a tribal genocide to investigate. Chief Inspector Mario Silva and his team are sent in from Brasilia to try to solve the increasingly complex case just as a local white man is discovered murdered. Someone has done their best to frame the surviving Awana man, and the town is about to erupt.Author
Leighton Gage writes the Chief Inspector Mario Silva series, crime novels set in Brazil. He and his Brazilian-born wife divide their time between their home in Brazil and those of their children and grandchildren in Europe and the U.S.
Praise for the Chief Inspector:
Hard-hitting, atmospheric…. Despite their social conscience and ambitious reach, there's nothing stiff or programmatic about Mr. Gage's lively, action-filled chronicles. They have finely sketched characters, vivid geographical detail and their own brutal sort of humor. The vast size of Brazil, with its great economic and topographic differences, affords a diversity of locales. Each book is a bit of adventure-travel, with Silva and crew often feeling like tourists within their own country. Yet the Silva investigations have all the step-by-step excitement of a world-class procedural series…. The books' greatest appeal, though, is Silva. Even after five books and many glimpses into his past and present, he remains an enigma. The reader never knows what the detective might or might not do in order to balance the scales of justice. The Wall Street Journal
South America’s Kurt Wallander - Booklist
Top notch...controversial and entirely absorbing...irresistible -
The New York Times
Masterful - The Toronto Globe and Mail
Compelling - The Boston Globe
Fascinating, complex and riveting - Florida Sun Sentinel
Intelligent and subtle…suspenseful and sophisticated - Publisher’s Weekly
Highly recommended - Library Journal
Colorful characters and crackling banter - Kirkus ReviewsLanguage English Print length 352 pages ISBN-10 1616954779 ISBN-13 978-1616954772 -
Sold outVisit product page →Widely considered the greatest work by the foremost Brazilian author of the twentieth century, The Double Death of Quincas Water-Bray comes to Penguin Classics in a new translation by the dean of Portuguese-language translators, Gregory Rabassa. It tells the story of Joaquim Soares da Cunha, who drops dead after he abandons his life of upstanding citizenship to assume the identity of Quincas Water-Bray, a “champion drunk” and bum who is whisked along on a postmortem journey that climaxes in his loss at sea.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.Language English Print length 96 pages ISBN-10 0143106368 ISBN-13 978-0143106364 -
Visit product page →Author Euclide Da Cunha translated to English by Elizabeth Lowe.
An important new translation of a fundamental work of Brazilian literature
Written by a former army lieutenant, civil engineer, and journalist, Backlands is Euclides da Cunha's vivid and poignant portrayal of Brazil's infamous War of Canudos. The deadliest civil war in Brazilian history, the conflict during the 1890s was between the government and the village of Canudos in the northeastern state of Bahia, which had been settled by 30,000 followers of the religious zealot Antonio Conselheiro. Far from just an objective retelling, da Cunha's story shows both the significance of this event and the complexities of Brazilian society.
Published here in a new translation by Elizabeth Lowe, and featuring an introduction by one of the foremost scholars of Latin America, this is sure to remain one of the best chronicles of war ever penned.Language English Print length 560 pages ISBN-10 9780143106074 ISBN-13 978-0143106074 -
Visit product page →Author Jorge Amado translated to English by Harriet de Onis
It surprises no one that the charming but wayward Vadinho dos Guimaraes–a gambler notorious for never winning—dies during Carnival. His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.
Format553 pages, PaperbackPublishedSeptember 12, 2006 by VintageISBN9780307276643 (ISBN10: 0307276643)ASIN0307276643LanguageEnglish -
Visit product page →This collection of twenty-six stories is “a fine introduction to Latin American literature” ( The Washington Post Book World ).
This splendid collection of stories by twenty-six Latin American authors features the new voices and celebrated masters of one of the world's foremost literatures. Explore the gothic sexual ambiguities of Carlos Fuentes’ “The Doll Queen,” the psychological compression of Clarice Lispector’s “Love,” or the baroque pyrotechnics of Machado de Assis and Adolfo Bioy Casares. Discover the parodically hard-boiled detective fiction of Ana Lydia Vega and some decidedly soft-boiled criminals in Rubem Fonesca’s “Lonelyhearts.”
From erotic comedies by Isabel Allende and Jorge Amado to the playful labyrinths of Guillermo Cabrera Infante’s London streets or Armonia Somers’ roomful of clocks, A Hammock Beneath the Mangoes reveals the virtuosity of Latin American literature at its finest, and provides an illuminating journey into dreamlike and unexpected worlds.Language English Print length 448 pages ISBN-10 0452268664 ISBN-13 978-0452268661 -
Visit product page →Author Frances De Pontes Peebles Language:English
The story of an intense female friendship fueled by affection, envy and pride--and each woman's fear that she would be nothing without the other.
Some friendships, like romance, have the feeling of fate.
Skinny, nine-year-old orphaned Dores is working in the kitchen of a sugar plantation in 1930s Brazil when in walks a girl who changes everything. Graça, the spoiled daughter of a wealthy sugar baron, is clever, well fed, pretty, and thrillingly ill behaved. Born to wildly different worlds, Dores and Graça quickly bond over shared mischief, and then, on a deeper level, over music.
One has a voice like a songbird; the other feels melodies in her soul and composes lyrics to match. Music will become their shared passion, the source of their partnership and their rivalry, and for each, the only way out of the life to which each was born. But only one of the two is destined to be a star. Their intimate, volatile bond will determine each of their fortunes--and haunt their memories.
Traveling from Brazil's inland sugar plantations to the rowdy streets of Rio de Janeiro's famous Lapa neighborhood, from Los Angeles during the Golden Age of Hollywood back to the irresistible drumbeat of home, The Air You Breathe unfurls a moving portrait of a lifelong friendship--its unparalleled rewards and lasting losses--and considers what we owe to the relationships that shape our lives.About Author
Frances de Pontes Peebles is the author of the novel, THE SEAMSTRESS (HarperCollins), translated into nine languages and winner of the Elle Grand Prix for Fiction, the Friends of American Writers Award, and the Michener-Copernicus Fellowship. Born in Pernambuco, Brazil, she is a graduate of the Iowa Writers’ Workshop. Her short stories have appeared in O. Henry Prize Stories, Zoetrope: All-Story, Missouri Review, and Indiana Review. Her story, THE SERRAMBI CASE, has been adapted into a short film by Australian director Emily Avila and entitled, IN A CANE FIELD. Her novel, THE SEAMSTRESS, was adapted for film and mini-series in Brazil as ENTRE IRMÃS
Language English Print length 528 pages ISBN-10 0735211000 ISBN-13 978-0735211001
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