A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas

The mixed-race grandson of ex-slaves, Machado de Assis is not only Brazil's most celebrated writer but also a writer of world stature, who has been championed by the likes of Philip Roth, Susan Sontag, Allen Ginsberg, John Updike, and Salman Rushdie. In his masterpiece, the 1881 novel The Posthumous Memoirs of Brás Cubas (translated also as Epitaph of a Small Winner), the ghost of a decadent and disagreeable aristocrat decides to write his memoir. He dedicates it to the worms gnawing at his corpse and tells of his failed romances and halfhearted political ambitions, serves up harebrained philosophies, and complains with gusto from the depths of his grave. Wildly imaginative, wickedly witty, and ahead of its time, the novel has been compared to the work of everyone from Cervantes to Sterne to Joyce to Nabokov to Borges to Calvino, and has influenced generations of writers around the world.

This new English translation is the first to include extensive notes providing crucial historical and cultural context. Unlike other editions, it also preserves Machado's original chapter breaks--each of the novel's 160 short chapters begins on a new page--and includes excerpts from previous versions of the novel never before published in English.

DETAILS • Author: Machado De Assis • Publisher: Penguin • Format: Paperback

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths. This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.

Documentary Film and Insider’s Guide to Lisbon Includes a DVD

An exemplary compendium of brief glimpses into the quotidian concerns of everyday South Americans . . . [that] exudes the author’s characteristically bright insight and sense of attentive amusement." – Kirkus Reviews, starred review

25 Crónicas – uniquely Latin American short stories – from a master of the form, a star heralded alongside Samanta Schweblin and Mariana Enríquez for blending insight, honesty, and humor

Uhart reinvigorates our desire to connect with other people, to love the world, to laugh in the face of bad intentions, and to look again, more closely: from lapwings, road-side pedicures, and the overheard conversations of nurses and their patients, to Goethe and the work of the Bolivian director Jorge Sanjinés.

“It was a year of great discovery for me, learning about these people and their homes,” Hebe Uhart writes in the opening story of A Question of Belonging, a collection of texts that traverse Argentina, Paraguay, Brazil, Spain, and beyond. Discoveries sprout and flower throughout Uhart’s oeuvre, but nowhere more so than in her crónicas, Uhart’s preferred method of storytelling by the end of her life. For Uhart, the crónica meant going outside, meeting others. It also allowed the mingling of precise, factual reportage and the slanted, symbolic narrative power of literature.

Here, Uhart opens the door on all kinds of people. We meet an eccentric priest who conducts experiments down by the riverside hoping to land on a cure for cancer; a queenly (read: beautiful and relentlessly indolent) teenage girl; a cacique of the Pueblo Nación Charrúa clan, who tells her of indigenous customs and histories.

She writes with characteristic slyness. In the last lines of the title story, Uhart writes, “And I left, whistling softly.” Wherever she may have gone, we are left with the wish we could follow alongside.

The Ultimate Tragedy is a tale of love and emerging political awareness in an Africa beginning to challenge Portuguese colonial rule.e۬Ndani leaves her village to seek a better life in the capital, finding work as a maid for a Portuguese family. The mistress of the house, Dona Deolinda, embarks on a mission to save Ndani's soul through religious teaching, but the master of the house has less righteous intentions. Ndani is expelled from the house and drifts towards home, where she becomes the wife of a village chief. He has built a mansion and a school to flaunt his power to the local Portuguese administrator, but he abandons Ndani when he finds she's not a virgin. She eventually finds love with the school's teacher, but in tumultuous times, making a future with an educated black man involves a series of hurdles.e۬By turns humorous, heartrending and wise

The Complete Stories

Fiction by Clarice Lispector

Translated from Portuguese by Katrina Dodson

With a contribution by Benjamin Moser

Autor: Vários

Editor: Artes E Letras Editora

Edição: Novembro de 2023

ISBN: 9789895310098

Páginas: 144

«Da leitura da presente obra, que resulta da compilação do conjunto de artigos de opinião publicados semanalmente no Açoriano Oriental durante

o ano de 2022, escritos por um grupo dinâmico e alargado de arquitetos,

e por uma historiadora doutorada em arquitetura, projeto que foi coordenado pela arquiteta Flávia Almeida, sobressai

claramente a Qualidade e a diversidade de 31 obras com reconhecido valor historico,

identitário, patrimonial, arquitetónico e cultural, que proliferam pelo arquipélago dos Açores.» (do prefácio, Nuno Costa) Ao longo de 144 páginas, ilustradas com fotografias, a escrita destes textos possibilita, de forma clara e subtil, o pensamento e as escolhas individuais destes grupo dinâmico, algumas das reflexões inerentes ao

campo da arquitetura e do património dos Açores.

The "Where Architects Stay"-Series heads towards the Sea: Stylish vacation accommodations at the coasts of Western Europe where architects would stay themselves when traveling.

Individuals with a passion for design may have high expectations of their vacation accommodations. The new volume is dedicated to the Atlantic coast of the western part of the European continent with its different landscapes and lively cities. Just as diverse as this region are the carefully selected accommodations presented here, imaginatively designed jewels, far from mass tourism.

This architecture and travel guide invites readers to discover enchanting vacation homes, whose architecture and interior design make each stay perfect: Ranging from lonely lighthouses to urban lofts, from sustainable tree houses to minimalist villas or historic structures. Each property is distinguished by the highest design quality with a personal touch, originality, and much attention to detail

A monster mender works hard to heal all wounds, but struggles to help a sea serpent who just seems … sad.

Dot is a monster healer. She treats bruises and burns and sore throats and sniffles for all sorts of creatures — dragons, krakens and gryphons included. But when Sea Serpent comes to see her because he’s feeling sad, Dot is stumped! She goes looking for the rarest ingredients to make something to get rid of Sea Serpent’s sad, but the potions and salves don’t help, and Sea Serpent doesn't seem too keen on trying any more exotic teas.

Dot is worried that she’ll never be able to help Sea Serpent feel better. Lately, all she’s brought Sea Serpent has been her own company, and not-at-all-special tea. Does this mean she isn’t a very good monster mender, after all? When Sea Serpent comes to her with an unexpected revelation, Dot learns the healing power of being a true friend.

A gentle (and fantastical!) tale of what it means to support a friend struggling with their mental health, from the award-winning author of Morris Micklewhite and the Tangerine Dress and Violet Shrink.

Christine Baldacchino

Ilona Iske

Morris is a little boy who loves using his imagination. But most of all, Morris loves his classroom’s dress-up center and its tangerine dress.

Morris is a little boy who loves using his imagination. He dreams about having space adventures, paints beautiful pictures and sings the loudest during circle time. But most of all, Morris loves his classroom’s dress-up center — he loves wearing the tangerine dress.

But the children in Morris’s class don’t understand. Dresses, they say, are for girls. And Morris certainly isn’t welcome in the spaceship some of his classmates are building. Astronauts, they say, don’t wear dresses.

One day when Morris feels all alone, and sick from the taunts of his classmates, his mother lets him stay home from school. Morris reads about elephants, and puts together a puzzle, and dreams of a fantastic space adventure with his cat, Moo.

Inspired by his dream, Morris paints the incredible scene he saw, and brings it with him to school. He builds his own spaceship, hangs his painting on the front of it and takes two of his classmates on an outer space adventure.

With warm, dreamy illustrations Isabelle Malenfant perfectly captures Morris’s vulnerability and the vibrancy of his imagination. This is a sweetly told story about the courage and creativity it takes to be different.

Christine Baldacchino

Pictures by Isabelle Malenfant

Hardcover

His debut, Flight Path Home, explores migration, belonging, and the Portuguese diaspora through family stories and cultural memory.

Joana Estrela / Planeta Tangerina

A well-written, deeply personal saga that acknowledges the resonance of historical identity, art, and literature in our present lives." --KIRKUS REVIEWS

1570: A street teems with activity in Renaissance Lisbon: boatmen unload passengers as jugglers entertain the crowd and vendors hawk their goods. The crowd is large, and more than half of it is Black. Most are enslaved African people performing an array of duties, but there are free Africans too, and somebody else: a Black knight astride a horse.

Four hundred and fifty years later, novelist and journalist Joaquim Arena stands in a museum, transfixed by the character depicted on this canvas by an anonymous Flemish painter. He doesn't know it yet, but the knight is Joao de S Panasco, a one-time slave who nevertheless became an Afro-Portuguese nobleman. So begins Under Our Skin, a wide-ranging investigation that seeks to know the people of the early African diaspora, and tell their stories.

Arena was born in the tiny state of Cape Verde, a small chain of islands off the West Coast of Africa which were uninhabited before Portugal chose them for a slave-trade post--a place made famous in part by Herman Melville's essay on the nature of Cape Verdeans (known as 'Gees') who were common fixtures on whaling vessels.
With this awareness, Arena creates a hybrid text of travel writing, memoir, and history, filled with portraits of complex and fascinating characters. There is Dido Elizabeth Belle, the daughter of a slave raised a gentlewoman in England; Abraham Petrovitch Gannibal, abducted from Africa as a boy, only to be groomed as a nobleman under Peter the Great; Thomas-Alexandre Dumas, son of a Haitian slave, who became a French general in the Napoleonic Wars; Jacobus Capitein, from Ghana, who studies at a European university only to become a pro-slavery Christian minister in the Netherlands; and Carlos Marcelino

The things I’ve learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don’t know. Or maybe they do even when they don’t. There are various ways of knowing by not-knowing. I know: it happens to me too.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writer—at once off the cuff and spot on.

• Language: English
• No. of Pages: 864
• Publisher: New Directions Publishing
• ISBN: 9780811226790

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called "astounding" (Rachel Kushner), "a penetrating genius" (Donna Seaman, Booklist ), and "one of the twentieth century's most mysterious writers" (Orhan Pamuk). Margaret Jull Costa andRobin Patterson have translated the work of Lúcio Cardoso, Sophia de Mello Breyner Andresen, and Clarice Lispector, among others. They live in England.

By the International Booker Prize Shortlisted Author of On Earth As It Is Beneath

Animals go mad and men die (accidentally and not) at a slaughterhouse in an impoverished, isolated corner of Brazil.In a landscape worthy of Cormac McCarthy, the river runs septic with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over again, as the stun operator at Senhor Milo’s slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It’s important to calm the cows, especially now that they seem so unsettled: they have begun to run in panic into walls and over cliffs. Bronco Gil, the foreman, thinks it’s a jaguar or a wild boar. Edgar Wilson has other suspicions. But what is certain is that there is something in this desolate corner of Brazil driving men, and animals, to murder and madness. 

About the Author

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Published in 1968, An Apprenticeship is Clarice Lispector’s attempt to reinvent herself following the exhausting effort of her metaphysical masterpiece The Passion According to G. H. Here, in this unconventional love story, she explores the ways in which people try to bridge the gaps between them, and the result, unusual in her work, surprised many readers and became a bestseller.

Some appreciated its accessibility; others denounced it as sexist or superficial. To both admirers and critics, the olympian Clarice gave a typically elliptical answer: “I humanized myself,” she said. “The book reflects that.”

• Language: English
• No. of Pages: 160
• Publisher: New Directions Publishing
• ISBN: 9780811232210

about Author

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called "astounding" (Rachel Kushner), "a penetrating genius" (Donna Seaman, Booklist ), and "one of the twentieth century's most mysterious writers" (Orhan Pamuk). Born in Belém, Brazil,Stefan Tobler is the publisher of And Other Stories and, whenever time permits, a translator from Portuguese and German. His translation of Arno Geiger's  The Old King in His Exile  was shortlisted for both the Helen and Kurt Wolff Prize and Schlegel-Tieck Prize, and his other translations include the Oxford-Weidenfeld Translation Prize-shortlisted  Água Viva  by Clarice Lispector and the Man Booker International Prize finalist  A Cup of Rage  by Raduan Nassar. Sheila Heti is the author of several books of fiction and nonfiction, including How Should a Person Be?, which New York Magazine deemed one of the "New Classics of the 21st century. She was named one of "The New Vanguard" by The New York Times book critics, who, along with a dozen other magazines and newspapers, chose Motherhood as a top book of 2018. Her books have been translated into twenty-one languages."