Winter Essentials We Love

SYNOPSIS: Never-before-seen behind-the-scenes images; Hundreds of photographs from the band's archives; The story and stories told by the musicians themselves; Year by year, a complete chronology of Xutos & Pontapés;

Testimonials and statements from dozens of public figures.

Life under Brazil’s brutal “cordial racism” comes painfully alive in this novel of fathers and sons.

How do you become the protagonist of your own life? For Pedro, it means searching for himself in the objects his father left behind: the layers that make up his life, and that of his parents, and the circumstances, geographies, and wounds that shaped them all. It’s an archaeology of affections, but also of life in southern Brazil, where being black on the streets of Porto Alegre manifests violences large and small. Where being a young woman, raised by a single mother, may find you seeking security in the untrustworthy arms of men. 

In Dark Side of Skin , Jeferson Tenório takes on fathers and sons, Shakespeare and Cervantes, and the inescapable bonds and burdens of family and history in one delicately rendered, painfully precise account of loved ones lost and found.

About the Author

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Published in 1968, An Apprenticeship is Clarice Lispector’s attempt to reinvent herself following the exhausting effort of her metaphysical masterpiece The Passion According to G. H. Here, in this unconventional love story, she explores the ways in which people try to bridge the gaps between them, and the result, unusual in her work, surprised many readers and became a bestseller.

Some appreciated its accessibility; others denounced it as sexist or superficial. To both admirers and critics, the olympian Clarice gave a typically elliptical answer: “I humanized myself,” she said. “The book reflects that.”

• Language: English
• No. of Pages: 160
• Publisher: New Directions Publishing
• ISBN: 9780811232210

about Author

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called "astounding" (Rachel Kushner), "a penetrating genius" (Donna Seaman, Booklist ), and "one of the twentieth century's most mysterious writers" (Orhan Pamuk). Born in Belém, Brazil,Stefan Tobler is the publisher of And Other Stories and, whenever time permits, a translator from Portuguese and German. His translation of Arno Geiger's  The Old King in His Exile  was shortlisted for both the Helen and Kurt Wolff Prize and Schlegel-Tieck Prize, and his other translations include the Oxford-Weidenfeld Translation Prize-shortlisted  Água Viva  by Clarice Lispector and the Man Booker International Prize finalist  A Cup of Rage  by Raduan Nassar. Sheila Heti is the author of several books of fiction and nonfiction, including How Should a Person Be?, which New York Magazine deemed one of the "New Classics of the 21st century. She was named one of "The New Vanguard" by The New York Times book critics, who, along with a dozen other magazines and newspapers, chose Motherhood as a top book of 2018. Her books have been translated into twenty-one languages."

By the International Booker Prize Shortlisted Author of On Earth As It Is Beneath

Animals go mad and men die (accidentally and not) at a slaughterhouse in an impoverished, isolated corner of Brazil.In a landscape worthy of Cormac McCarthy, the river runs septic with blood. Edgar Wilson makes the sign of the cross on the forehead of a cow, then stuns it with a mallet. He does this over and over again, as the stun operator at Senhor Milo’s slaughterhouse: reliable, responsible, quietly dispatching cows and following orders, wherever that may take him. It’s important to calm the cows, especially now that they seem so unsettled: they have begun to run in panic into walls and over cliffs. Bronco Gil, the foreman, thinks it’s a jaguar or a wild boar. Edgar Wilson has other suspicions. But what is certain is that there is something in this desolate corner of Brazil driving men, and animals, to murder and madness. 

About the Author

The things I’ve learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don’t know. Or maybe they do even when they don’t. There are various ways of knowing by not-knowing. I know: it happens to me too.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writer—at once off the cuff and spot on.

• Language: English
• No. of Pages: 864
• Publisher: New Directions Publishing
• ISBN: 9780811226790

Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called "astounding" (Rachel Kushner), "a penetrating genius" (Donna Seaman, Booklist ), and "one of the twentieth century's most mysterious writers" (Orhan Pamuk). Margaret Jull Costa andRobin Patterson have translated the work of Lúcio Cardoso, Sophia de Mello Breyner Andresen, and Clarice Lispector, among others. They live in England.

A well-written, deeply personal saga that acknowledges the resonance of historical identity, art, and literature in our present lives." --KIRKUS REVIEWS

1570: A street teems with activity in Renaissance Lisbon: boatmen unload passengers as jugglers entertain the crowd and vendors hawk their goods. The crowd is large, and more than half of it is Black. Most are enslaved African people performing an array of duties, but there are free Africans too, and somebody else: a Black knight astride a horse.

Four hundred and fifty years later, novelist and journalist Joaquim Arena stands in a museum, transfixed by the character depicted on this canvas by an anonymous Flemish painter. He doesn't know it yet, but the knight is Joao de S Panasco, a one-time slave who nevertheless became an Afro-Portuguese nobleman. So begins Under Our Skin, a wide-ranging investigation that seeks to know the people of the early African diaspora, and tell their stories.

Arena was born in the tiny state of Cape Verde, a small chain of islands off the West Coast of Africa which were uninhabited before Portugal chose them for a slave-trade post--a place made famous in part by Herman Melville's essay on the nature of Cape Verdeans (known as 'Gees') who were common fixtures on whaling vessels.
With this awareness, Arena creates a hybrid text of travel writing, memoir, and history, filled with portraits of complex and fascinating characters. There is Dido Elizabeth Belle, the daughter of a slave raised a gentlewoman in England; Abraham Petrovitch Gannibal, abducted from Africa as a boy, only to be groomed as a nobleman under Peter the Great; Thomas-Alexandre Dumas, son of a Haitian slave, who became a French general in the Napoleonic Wars; Jacobus Capitein, from Ghana, who studies at a European university only to become a pro-slavery Christian minister in the Netherlands; and Carlos Marcelino