OFFICE

A genre-bending and thought-provoking examination of capitalism and cancer - and recent Brazilian history - based on the author's interviews with his truck driver father.
In What Is Mine, sociologist José Henrique Bortoluci uses interviews with his father, Didi, to retrace the recent history of Brazil and of his family. From the mid-1960s to the mid-2010s, Didi's work as a truck driver took him away from home for long stretches at a time as he crisscrossed the country and participated in huge infrastructure projects including the Trans-Amazonian Highway, a scheme spearheaded by the military dictatorship of the time, undertaken through brutal deforestation.
An observer of history, Didi also recounts the toll his work has taken on his health, from a heart attack in middle age to the cancer that defines his retirement. Bortoluci weaves the history of a nation with that of a man, uncovering parallels between cancer and capitalism - both sustained by expansion, both embodiments of the gospel of growth at any cost' - and tracing the distance that class has placed between him and his father. Influenced byauthors such as Annie Ernaux and Svetlana Alexievich, is a moving, thought-provoking and brilliantly constructed examination of the scars we carry, as people and as countries.

José Henrique Bortoluci was born in Jaú in 1984. He has a BA in International Relations and an MA in Social History from the University of São Paulo, as well as an MA and a PhD in Sociology from the University of Michigan, where he lectured and was a Fulbright fellow. He is a professor of Sociology at the Fundação Getúlio Vargas in São Paulo, where his lectures and research revolve around Brazilian politics, social theory, democracy and social movements. Rahul Bery is based in Cardiff, Wales and translates from Spanish and Portuguese to English. His published translations include novels by Vicente Luis Mora, Afonso Cruz, Simone Campos and David Trueba.

Author Mia Sosa Language English.

One engagement. Two best friends. Three's a crowd.

On the eve of their college graduation, best friends Javier Báez and Marisol Campos swore never to date someone the other doesn’t approve of. Now, almost a decade later, Javi has a problem. Mari, the woman he’s secretly pined for since sophomore year, is engaged—and Javi didn’t even get the chance to vet the Pedro Pascal knockoff she plans to marry.

A successful entertainment lawyer in Los Angeles, Mari is no longer seeking Javi’s dating advice or waiting for him to declare his love. Instead, she’s made a different pact—with herself. And to succeed, Mari’s vowing to build a future with someone who wants to commit to her.

With his life and career finally on track, Javi’s ready to confess his feelings. Except Mari’s changed the script and moved on without him. Javi has just six weeks to convince Mari this marriage is a flop. If that means he needs to ruffle some feathers to help her avert disaster, well, he’s up for the challenge. After all, isn’t that what best friends are for?

About Author

Mia Sosa is a USA Today bestselling author of romantic comedies and contemporary romances that celebrate our multicultural world. She has received praise from The Washington Post, Bustle, NPR, Entertainment Weekly, POPSUGAR, BuzzFeed, Oprah Daily, and many more. A native of East Harlem and a graduate of the University of Pennsylvania and Yale Law School, she lives in Maryland with her college sweetheart, their two book-obsessed daughters, a gentle Cavalier King Charles spaniel, and one adorable rescue cat that rules them all.

Pages: 448

ISBN: 9798217044306

Whites Can Dance Too written by Kalaf Epalanga and translated by Daniel Hahn.

Hours before performing at one of Europe's most iconic music festivals, Kalaf is detained on suspicion of being an illegal immigrant. Trapped in his precarity, his thoughts soon strum to the beat of kuduro, the blistering, techno-infused Angolan music which has taken him from Luanda to Kristiansund, Beirut to Lisbon. Shifting between his reflections while incarcerated, the stories of a friend at the heart of Lisbon's dance scene and those of the immigration policeman who holds Kalaf's fate in his hands, Whites Can Dance Too is at once an exhilarating novel and a transporting paean to cultural roots, to freedom and to love.

Author

Kalaf Epalanga is an Angolan musician and writer.

Best known internationally for fronting the Lisbon-based dance collective Buraka Som Sistema, he is a celebrated columnist in Angola and Portugal.

Whites Can Dance Too is his acclaimed debut novel; it was first published in Portugal by Editorial Caminho (2017). Epalanga is currently based in Berlin.

Translator

Daniel Hahn is a writer, editor and translator, with thirty-something books to his name. He has translated fiction from Portuguese, Spanish and French (from Europe, Africa and the Americas) and non-fiction by writers ranging from Portuguese Nobel laureate José Saramago to Brazilian footballer Pelé. He has written works of narrative non-fiction for adults and the text of a picture-book for children; and edited a number of reference books including "The Ultimate Book Guides", a series of reading guides for children and teenagers.

His books have won the Independent Foreign Fiction Prize and the Blue Peter Book Award.

Language English 

ISBN-10 0571371442

ISBN-13 978-0571371440

Item weight 276 g

Dimensions 12.8 × 1.37 × 19.81 cmg

World—Ana Luísa Amaral’s second collection with New Directions—offers a new exhilarating set of poems that convey wonder, bemusement, and an ever-deepening appreciation of life. Weaving the thread that connects the poem to life, World speaks of our immense human perplexity in the face of everything around us and our oneness with it all. As Amaral notes, all of us, “humans and non-humans, are on the same ontological level, the differences being only a matter of perspective. We are all made of the same stuff as dreams—and stars.” Asked about her thoughts on World, Amaral’s peerless translator Margaret Jull Costa replied: “What I take from this collection of poems is a sense of joy in the ordinary—seeing an ant going about its business, or a bee or a fish, or the feeling of sharing a whole history with a particular table, or watching a very ordinary woman sitting on a train playing with the handle of her handbag. World also brings us meditations on colonization, slavery, and whaling. Like the world, it is full of surprises and full of joy and sadness.” These vibrant, exultant poems invite you to share this marvelous world: Yes, all you need (how easy!) is to say yes.