Valentine's Gift Idea

Author Euclide Da Cunha translated to English by Elizabeth Lowe.

An important new translation of a fundamental work of Brazilian literature

Written by a former army lieutenant, civil engineer, and journalist, Backlands is Euclides da Cunha's vivid and poignant portrayal of Brazil's infamous War of Canudos. The deadliest civil war in Brazilian history, the conflict during the 1890s was between the government and the village of Canudos in the northeastern state of Bahia, which had been settled by 30,000 followers of the religious zealot Antonio Conselheiro. Far from just an objective retelling, da Cunha's story shows both the significance of this event and the complexities of Brazilian society.

Published here in a new translation by Elizabeth Lowe, and featuring an introduction by one of the foremost scholars of Latin America, this is sure to remain one of the best chronicles of war ever penned.

Widely considered the greatest work by the foremost Brazilian author of the twentieth century, The Double Death of Quincas Water-Bray comes to Penguin Classics in a new translation by the dean of Portuguese-language translators, Gregory Rabassa. It tells the story of Joaquim Soares da Cunha, who drops dead after he abandons his life of upstanding citizenship to assume the identity of Quincas Water-Bray, a “champion drunk” and bum who is whisked along on a postmortem journey that climaxes in his loss at sea.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author: Leighton Gage Language: English

The Awana tribe, who live in the remote Amazon jungle in the Brazilian state of Pará, have dwindled to only 41 members—and now 39 of them have dropped dead of what looks like poison. The neighboring white townsfolk don’t seem to be mourning the genocide much—in fact, the only person who seems to care at all is Jade Calmon, the official tribal relations agent assigned to the area. She wants justice for the two survivors, a father and his 8-year-old son. But racism is deeply entrenched and no one is going to help her get to the truth.

Unfortunately, this is far from the first time the Brazilian federal police have had a tribal genocide to investigate. Chief Inspector Mario Silva and his team are sent in from Brasilia to try to solve the increasingly complex case just as a local white man is discovered murdered. Someone has done their best to frame the surviving Awana man, and the town is about to erupt.

Author

Leighton Gage writes the Chief Inspector Mario Silva series, crime novels set in Brazil. He and his Brazilian-born wife divide their time between their home in Brazil and those of their children and grandchildren in Europe and the U.S.
Praise for the Chief Inspector:

Hard-hitting, atmospheric…. Despite their social conscience and ambitious reach, there's nothing stiff or programmatic about Mr. Gage's lively, action-filled chronicles. They have finely sketched characters, vivid geographical detail and their own brutal sort of humor. The vast size of Brazil, with its great economic and topographic differences, affords a diversity of locales. Each book is a bit of adventure-travel, with Silva and crew often feeling like tourists within their own country. Yet the Silva investigations have all the step-by-step excitement of a world-class procedural series…. The books' greatest appeal, though, is Silva. Even after five books and many glimpses into his past and present, he remains an enigma. The reader never knows what the detective might or might not do in order to balance the scales of justice. The Wall Street Journal
South America’s Kurt Wallander - Booklist
Top notch...controversial and entirely absorbing...irresistible -
The New York Times
Masterful - The Toronto Globe and Mail
Compelling - The Boston Globe
Fascinating, complex and riveting - Florida Sun Sentinel
Intelligent and subtle…suspenseful and sophisticated - Publisher’s Weekly
Highly recommended - Library Journal
Colorful characters and crackling banter - Kirkus Reviews

Food, as many other events, conveys the identity and culture of a people. Tasting and interacting with food allows our palate to withhold the experience, but our emotions also savour the moment. And History provides the context that lies beneath all of this.

At present, even cuisine has become a competitive branch with a constant need for updates and inventiveness in order to satisfy an increasingly travelled and experienced public, eager for a sample of difference.

The Illustrious House of Ramires, presented here in a sparkling new translation by Margaret Jull Costa, is the favorite novel of many Eça de Queirós aficionados. This late masterpiece, wickedly funny and yet profoundly tender, centers on Gonçalo Ramires, heir to a family so aristocratic that it predates even the kings of Portugal. Gonçalo—charming but disastrously effete, idealistic but hopelessly weak—muddles through his pampered life, burdened by a grand ambition. He is determined to write a great historical novel based on the heroic deeds of his fierce medieval ancestors.  But “the record of their valor,” as The London Spectator remarked, “is ironically counterpointed by his own chicanery. A combination of Don Quixote and Walter Mitty, Ramires is continually humiliated but at the same time kindhearted. Ironic comedy is the keynote of the novel. Eça de Queirós has justly been compared with Flaubert and Stendhal."

the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro.

Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism.” Borba leaves his fortune—including his dog, also named Quincas Borba—to Rubião, his loyal caretaker and a schoolteacher by trade. Bestowed with opulence beyond his wildest dreams, Rubião is quickly coaxed into the comforts of a rich man’s life—the only stipulation being that he continues to care for the canine Quincas Borba with the same dedication he once did the human. Adrift in the big, bad, bustling world of late-1860s Rio de Janeiro, it isn’t long before Rubião is targeted by the city’s sycophants, who can smell his naïveté from a mile away.

Playfully told by an omniscient and possibly unreliable narrator, the novel is at once irreverent and ambitious, brimming with barbed wit and keen philosophical inquiry. Brilliantly translated by Margaret Jull Costa and Robin Patterson—the duo credited with introducing a new generation of readers to Machado through their translations of Dom Casmurro, The Collected Stories, and Posthumous Memoirs of Bras Cubas—Quincas Borba is another strikingly modern tale from a blazing progenitor of twentieth-century fiction.

The Hour of the Star, Clarice Lispector’s consummate final novel, may well be her masterpiece.

Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life’s unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved.

Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn’t seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader’s preconceived notions about poverty, identity, love, and the art of fiction. In her last book, she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.

Hardcover | 128 pages | 5.40" x 8.40"

Author Giovanna Madalosso translated by Bruna Dantas Lobato

 NEW YORK TIMES 100 NOTABLE BOOK OF 2025
NPR BEST BOOK OF 2025

Nominated for the 2026 Dublin Literary Award

The English-language debut of one of the most exciting voices in contemporary Brazilian literature, The Tokyo Suite is a gripping exploration of the complexities of modern family dynamics and the tensions hiding just under the surface of ordinary lives. 

It’s a seemingly ordinary morning when Maju, a nanny, boards a bus with Cora, the young girl she’s been caring for, and disappears. The abduction, an act as impulsive as it is extreme, sets off a series of events that will force each character to confront their deepest fears and desires.

Fernanda, Cora's mother, is a successful executive who is so engulfed in her own personal crisis that she initially fails to notice her daughter's disappearance. Her marriage is strained, and she finds solace in an affair, distancing herself further from her family. Meanwhile, her husband, overwhelmed by the complexities of their domestic life, remains emotionally detached. As Maju navigates the streets of São Paulo with Cora, the “white army” of nannies, a term coined by Fernanda, seems to watch her every move, heightening her sense of paranoia and urgency. 

Madalosso’s narrative delves deep into the human psyche, examining themes of maternal guilt, societal expectations, and the search for personal identity. Rich and multi-layered, The Tokyo Suite is a poignant and gripping tale that captures the essence of modern urban life and the lengths to which people will go to reclaim a sense of control and meaning in their lives.